need a smoke.
got a party to plan.


The moment I walked into the Blanche M. Touhill center, I knew that theatre and I would be together, hand in hand, throughout the rest of my life. I had been preparing for this moment; the moment where I will finally put my light designing experience into use, and put on a show for thousands of Theatre lovers.
It was the 2009 Missouri Thespian State Conference. The All-state show, A Midsummer Night’s Dream, would be performing the first night. We were nervous, the cast, crew, and I. Every first Saturday of the month for five months, and an entire week in July we have been rehearsing: building sets, memorizing lines, painting said sets, blocking scenes, interpreting the unique Shakespearean language. We knew we were ready; ready to put on the best show these Missouri Thespians had ever seen.
We knew that the day before was going to be long. Most of us waking up before five in the morning waited for our coordinator to open up the backstage doors of the Touhill. I saw that ominous white cargo truck drive up. Our set was snuggly stuffed into that white truck. And it would take us a few hours at the most to get it all out.
While I helped most of the crew get our set out, the other light designers and I had to start working on the lights. We only had this day to make sure we had the right colors, intensities, and circuits in order to make this high school production look absolutely professional.
It was fun, I have to admit, though hectic. I sat with Webster student mentors in the booth, helping them type in numbers into the
I sat through three run-throughs that day: one for the actors, the other a tech rehearsal, and the other for the final touches. It was a very long and tedious process. I found myself drifting asleep quite frequently; resting my head against the base of the
Finally, though, after far more than twelve hours at the Touhill, we were free. But not for long, the next day would bring more rehearsals. And that night: opening night. The night we had been waiting for.
The next day felt like a repeat of the previous. More rehearsals, more tweaking occurred throughout the day. Later, we walked into the opening ceremonies, all of us projecting the most positives of auras. Our anticipation grew when we saw the large amount of delegates gathered with us.
While our Thespian troupes departed, we continued back stage. We ate, then the actors got into their flamboyant and professional costumes, while the crew members zipped up their black track jacks. To put it simply, we looked “fly,” or, “legit,” as one crew member stated.
Another rehearsal went by. Tensions rose. Excitement radiated from us like the heat of the sun. We heard the loud buzz of the thousands of high school thespians, and even professionals walk into the
Actors took their places backstage. Running crew stood on the wings, camouflaged. Sound technicians stood in the middle audience at their board. I waited in my position in the back of the theatre, in the light booth. We waited for our cue.
“Sound cue A, lights 1, actors: standby”
I rested my finger on the “go” switch of that coveted
“All cues go”
And then, I pressed “go.”